SAMEER
BALOCH
I build cinematic worlds, environments that feel like places, lit like films, rendered like memories. 15 years. Maya, Unreal Engine 5, Redshift.
CONCEPT ART
Environment design and cinematic concept art. Maya with Redshift, Unreal Engine 5, Photoshop.
NFT COLLECTIONS
Published on Crypto.com and OpenSea. Collaborations, featured drops, and original digital art.
15 YEARS BUILDING
IMPOSSIBLE WORLDS
I am Sameer Baloch, a senior 3D environment and lighting artist based in Karachi, Pakistan. For over 15 years I have been creating cinematic visual experiences for games, advertising, and digital art.
My work lives in Maya with Redshift renderer and Unreal Engine 5 with Lumen global illumination. Every piece starts with one question: what should the viewer feel?
From CGI commercials for global brands to personal environment art sold as NFTs, I build worlds that make people stop scrolling.
SERVICES & CAPABILITIES
Cinematic 3D environments for games, films, and advertising. Full pipeline from concept to final render. UE5 and Maya workflows.
Full CGI production for brand campaigns and advertising. Photorealistic results with cinematic lighting that makes products impossible to look away from.
In-engine and pre-rendered cinematics for game studios. UE5 with Lumen GI, Nanite, and Movie Render Queue for broadcast-quality output.
Dedicated lighting and look development for existing scenes. Cinematic colour temperature, volumetric atmosphere, light that tells a story.
Bespoke digital art for NFT projects, collectors, and digital galleries. Unique cinematic pieces built around specific emotional concepts.
Interactive real-time environments in Unreal Engine 5 for virtual production, architectural visualisation, and immersive experiences.
COMPLETE
WORKFLOW
GUIDE
My complete 3D art production workflow. From the first reference image to the final Photoshop composite. Every step, every decision.
KNOWLEDGE FOR SALE
15 years of production knowledge packaged as guides and consulting sessions.
Complete production workflow from reference to final composite. 10 chapters, 12 render passes, Maya Redshift and UE5 settings.
A focused creative direction service translating your project brief into a production-ready visual document. Mood boards, colour world, lighting language, and style direction. Delivered within 48 hours.
Shot by shot review of your production work in Maya or Unreal Engine 5. Framing, look development, lighting quality, atmosphere, and material accuracy. Written, specific, actionable.
LEARNING
HUB
Articles, breakdowns, and production insights from 15 years of environment art. Updated regularly. No sign-up required.
The three most common lighting mistakes environment artists make and the exact changes that fix them. Maya Redshift and UE5 covered.
A complete breakdown of every render pass in a cinematic pipeline. When to use each one, what blend mode it needs, and what happens if you skip it.
One simple check that separates professional renders from amateur ones. How to use it, what it reveals, and how to fix what it exposes.
Why roughness is the most important material setting and how to read real-world surfaces to set it correctly in Redshift and UE5.
Why searching for "environment reference" gives you nothing useful, and the exact search method that finds the reference you actually need.
Practical pricing guidance for environment art, CGI commercials, and game cinematics. What clients expect, what the market pays, and how to position yourself.
New articles published regularly. Follow on Instagram to get notified.
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Available for freelance projects, collaborations, and commissions. Based in Karachi, working globally.